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(http://www.unu.edu/unupress/unupbooks/80a01e/80A01E01.htm
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4. The sun factor
Orientation
Shading
Facades
Openings
The
roof
Orientation
In hot climates, the sun is the major source of heat.
To plan any site, the position of the sun must be determined
for all hours of the day at all seasons as well as the
direction of the prevailing winds, especially during
the hot season. For the direct rays of the sun, it is
sufficient to know the angles of declination and altitude
for the summer and winter solstices (21 June and 21
December, respectively) and the autumnal and vernal
equinoxes (21 September and 21 March, respectively),
from which the position of the sun at any time of day
on any intermediate date can be deduced. These dates,
rather than averages, represent the extreme cases which
the architect must consider. Appendix 4 gives this information
for the city of Cairo, Egypt, which is located at latitude
30° N. Similar tables for any city can be obtained from
the local meteorological office. In addition, for an
ensemble of buildings forming a sector, there will be
reflection from adjacent buildings and wind screening
by clusters of buildings, which contribute to a specific
microclimate for each location in the sector. Wind movement
and humidity also are important and should be considered
simultaneously with the direct and indirect effects
of the sun.
The main objective is to establish the optimum orientation
with regard to the sun and the prevailing wind. The
problem is complex, and it is useful to begin by considering
the simple case of a block consisting of a single row
of buildings. On the basis of this, more complex cases
can be understood.
Appendix 4 indicates that the optimum orientation of
the building block with regard to the sun factor is
east-west. In this case, the north facade is exposed
to the sun's rays at the summer solstice from sunrise
at 5:00 A.M. to about 9:00 A.M. These rays have an angle
of altitude of 0° at 5:00 A.M., but at 9:00 A.M. the
angle of altitude is 49°30', the angle of declination
88°13', and the rays hit the facade at an angle of only
1°03'. For the south facade, the angle of altitude is
83°36' at noon, which is 6°24' off the vertical. Solar
radiation does not penetrate the south facade openings,
and a slight overhang properly positioned could easily
shade the openings and wall surface. The east and west
facades constitute the end walls of the entire row and
are not provided with openings. In winter, the angle
of altitude at noon is 36°34', which allows the sunlight
to penetrate into the interior for warmth.
Meteorological records show that the cool wind in Cairo
blows from the northwest. Thus the optimal orientation
with regard to wind is such that the long side of the
row is aligned northeast to southeast so the wind can
be as normal to the long surface as possible.
At first glance, the obvious solution to the requirements
of these two factors would be to orient the row from
northeast-east to southwestwest, bisecting the angle
between the two optimal orientations as shown in figure
9. This solution would be correct if the windows were
to serve as wind inlets and outlets to ensure air movement
indoors. However, people in the hot arid and warm humid
zones devised the malqaf or windcatch, whereby air high
above a building can be captured and forced through
the interior, as explained in the next chapter. With
the wind problem solved with the malqaf, the row can
be aligned east-west, which is optimal for the sun,
as indicated in figure 10. This innovation permits flexibility
in design with regard to the wind factor and makes it
possible for the designer to concentrate on orienting
his buildings with respect to the sun factor.
Shading
Although the optimal orientation for single buildings
and blocks of row houses is with the long side aligned
from east to west, for many reasons this cannot always
be applied so simply over the entire plan of a city
or sector. Some single buildings or row houses must
face streets and squares that may be oriented at any
angle from the north, with each case requiring an appropriate
means of shading, depending on its orientation.
Generally, a building with a facade opening to the
west is the worst case encountered, owing to the heat
gain of the surrounding environment during the day and
the angle of altitude, which allows the sun's rays to
penetrate into the interior. However, for a sector with
the long facade facing west and east, blocks of buildings
can themselves shade one another. To ensure this, the
height of the blocks must be designed according to the
width of the street and the angle of altitude of the
sun, which can be obtained from data like that contained
in Appendix 4 for any geographical site. In this way,
areas that will be exposed to the sun can be defined,
either for the facades or for street surfaces, and the
duration of exposure can also be calculated.
Facades
Northern Facade
This facade is least exposed to the sun. In fact, exposure
occurs only in the early and late hours of summer days
when the angle of altitude is low and the angle of declination
is such that the sun's rays are almost tangential to
the surface of the wall, as illustrated in
figure 11. An advantage to rooms opening on this
facade is that their illumination is always evenly distributed,
making them ideal for hospital operating rooms and for
school classrooms.
Southern Facade
With regard to the sun factor, an advantage of southern
exposure in the Tropics and Subtropics is that the sun
is high over the horizon in summer and can be shaded
using a relatively small overhang. In winter it is low,
allowing the sunshine to penetrate when it is most desirable.
This situation is outlined for a particular case in
figure 12. However, with regard to the wind factor,
a disadvantage of the southern exposure is that it receives
no wind, since the cool prevailing winds generally blow
from a northerly direction in the Northern Hemisphere.
Although the sun's rays cannot be manipulated and directed
at will, there are ways of directing airflow to rooms
with a southern exposure, either by architectural design
or by such devices as the malqaf, the windescape, and
even the indoor mashrabiya as seen in some traditional
houses in Jeddah, Saudi Arabia.
Eastern and Western Facades
The eastern facade is exposed to the sun's rays only
from sunrise to noon. The walls cool down considerably
by evening, making this exposure more suitable for bedrooms
than the western exposure.
Shading of the facades of buildings can be achieved
by covering the streets, as is often found in older
cities and oasis villages of West Asia and North Africa,
examples of which are illustrated in figures 13-15.
For a single building, shade can be provided by architectural
elements such as balconies, covered loggias or open
galleries, and verandas to shield the facade, or by
introducing special devices such as the venetian blind,
the brise-soleil, and the mashrabiya to shield the openings.
In Iraq, walls ventilated and cooled by surrounding
the rooms with an outside corridor with arcades and
colonnades, as shown in figure
16.
Openings
Window openings normally serve three functions: to
let in direct and indirect sunlight, to let in air,
and to provide a view. In the temperate zones these
functions are conveniently combined together in the
window, the size, form, and location of which are determined
by local climatic conditions. However, since in hot
arid climates it is rarely possible or desirable to
combine these three functions in a single architectural
solution, several solutions were developed which concentrate
on each function separately.
The Venetian Blind
One device which can be added directly to the window
is the venetian blind. This blind is made of small slats,
about 4-5 cm (1.6-2 inches) wide, closely set in a wooden
frame at an angle that will intercept the sun's rays.
The slats are often movable so the angle can be changed.
This feature of adjustability renders venetian blinds
very useful in regulating solar radiation and wind flow
into rooms. Using the venetian blind, the sun's rays
can be blocked out without obstructing the breeze, which
generally blows from the northwest in most hot arid
areas, including Egypt, Iraq, and North Africa. When
the blinds are drawn, they completely obstruct the view
to the outside as well as considerably dim the light
reaching the interior.
However, sometimes the venetians blind is not a satisfactory
solution to the problem of adjusting radiation and airflow.
In summer, the blind can be adjusted to deflect the
wind downward onto the occupants, but this permits the
sun to shine directly into the room, as shown in
figure 17a. Alternatively, by changing the position
of the blind to block the direct sunlight, the wind
is redirected uselessly over the heads of the occupants,
as figure 17b illustrates. Also, if the slats are made
of metal, they then absorb some incoming radiation and
reradiate it into the room as heat.
The Brise-soleil
The brise-soleil or sun-breaker is a new shading device
that requires a special sophisticated support. It is
generally used to shield entire facades of glass-wall
and concrete or steel frame buildings. Originally, the
glasswall concept was introduced to provide an outside
view through the entire side of a room. Standard glass
is transparent to ultraviolet radiation and opaque to
infrared or heat radiation. Therefore, when a glass
wall of a room measuring, say, 3 x 3 m (about 10 x 10
ft) is exposed to the sun's rays, it lets in 2000 kcal
(nearly 8000 Btu) per hour throughout most of the day.
This light strikes the solid material inside, including
the walls, floor, and furniture, and is transformed
into infrared radiation to which the glass is opaque.
The glass wall thus traps the heat, creating a phenomenon
known as the greenhouse effect, and two tons of refrigeration
per hour are required. Thus additional energy, and therefore
cost, is required to maintain a comfortable microclimate
in the room.
A brise-soleil properly designed to intercept the sun's
rays reduces this heat gain to at most one-third, which
although an improvement is still inadequate. Furthermore,
there is the additional disadvantage of using the brise-soleil
with regard to the view to the outside, which was the
original purpose for using the glass wall. The brise-soleil
is in fact a transposition of the venetians blind, with
the slat width increased from 4 to about 40 cm (1.6
to about 16 inches) to suit the scale of the entire
facade instead of just the window opening in a solid
wall. When the angles of altitude and declination for
screening direct sunlight are calculated, the required
space between the slats is much larger than for the
venetians blind. The result is a view slashed by large
dark stripes interspersed by offensive glare. This is
why photos showing the brise-soleil in architectural
magazines and books are always taken from the outside
and never from the inside looking out, as in
figure 18. Nevertheless, the brise-soleil concept
need not be discarded. It may be used advantageously
in some cases of modern architecture if comprehensively
articulated in the facade with due regard for reduction
of physical glare and for aesthetics.
The Mashrabiya
The name mashrabiya is derived from the Arabic word
"drink" and originally meant "a drinking place." This
was a cantilevered space with a lattice opening, where
small water jars were placed to be cooled by the evaporation
effect as air moved through the opening. Now the name
is used for an opening with a wooden lattice screen
composed of small wooden balusters that are circular
in section and arranged at specific regular intervals,
often in a decorative and intricate geometric pattern.
Figure 19 shows such a mashrabiya
that of the As-Suhaymi house in Cairo.
The mashrabiya has five functions. Different patterns
have been developed to satisfy a variety of conditions
that require emphasis on one or more these functions.
These functions involve: (1) controlling the passage
of light, (2) controlling the air flow, (3) reducing
the temperature of the air current, (4) increasing the
humidity of the air current, and (5) ensuring privacy.
Each mashrabiya design is selected to fulfill several
or all of these functions. In the design, it is the
sizes of the interstices (spaces between adjacent balusters)
and the diameter of the balusters that are adjusted.
Different names identify certain of these patterns.
Daylight entering a room with an opening facing south
has two components, the direct high-intensity sunlight
that enters at very large angles normal to the plane
of the opening, and the lower-intensity reflected glare,
which can enter nearly normal to the opening. Since
direct sunlight passing through the opening will heat
surfaces in the room, it is best to block such radiation.
The reflected glare, while less intense and not very
effective in heating room surfaces, does produce uncomfortable
visual effects.
The sizes of the interstices and the balusters of a
mashrabiya placed in such an opening are adjusted to
intercept direct solar radiation. This requires a lattice
with small interstices. The balusters, round in section,
graduate the light reaching their surfaces, thus softening
the contrast between the darkness of the opaque balusters
and the brightness of the glare entering through the
interstices, as illustrated in figure
20. Therefore, with the mashrabiya the eye is not
dazzled by the contrast as in the case of the brise-soleil.
Figures 21 and 22
show the effect of a mashrabiya under conditions of
severe glare. The characteristic shape of the lattice
with its lines interrupted by the protruding sections
of the balusters produces a silhouette which carries
the eye from one baluster to the next across the interstices,
vertically and horizontally. This design corrects the
slashing effect caused by the flat slats of the brise-soleil
and harmoniously distributes the outside view over the
plane of the opening, superposing it on the decorative
pattern of the mashrabiya so that it resembles a darkened
glass made of lace. This effect is shown in Figure
19.
At eye level, the balusters of the mashrabiya are set
close together with very small interstitial spacing
both to intercept direct sunlight and to reduce the
dazzle of contrasting elements in the pattern. But to
compensate for the accompanying dimming effect, the
interstices are much larger in the upper part of the
mashrabiya, as in the example from the Jamãl Ad-Din
Adh-Dhahabi house in Cairo, shown in figure
23. Figure 24 shows the
striking effect that can be achieved for a room with
a high ceiling. This arrangement permits reflected light
to brighten the upper part of the room, while an overhang
at the top of the opening, as seen in the outside view
of a second story mashrabiya in figure
25, prevents direct sunlight from entering. Similarly,
in openings on a northern facade, where direct sunlight
is no problem, the interstices are quite large, to provide
adequate room lighting.
To provide airflow into a room, a mashrabiya with large
interstices will ensure as much open area in the lattice
as possible, as shown in figure
26. Where sunlight considerations require small
interstices and thus sufficient airflow is not provided,
an open, large-interstice pattern can be used in the
upper part of the mashrabiya near the overhang. For
this reason, a typical mashrabiya is composed of two
parts: a lower section with fine balusters in close
mesh, and an upper section filled with a wide mesh grill
of turned wood in a pattern called sahrigi, as shown
in figures 23 and 25.
If this solution still does not provide sufficient air
movement due to the small interstices required to reduce
the glare, the dimensions of the mashrabiya can be increased
to cover any size opening, even to the point of filling
up the entire facade of a room. Figures
27 and 28 show inside
and outside views of a facadesized mashrabiya designed
to solve this problem in the As-Suhaymi house in Cairo.
The very large size of such a mashrabiya also helps
to compensate for the dimming effect of the screen.
In some places, the mashrabiya is used indoors between
rooms for cross-ventilation, as in some houses in Jeddah,
Saudi Arabia. The mashrabiya concept has been universally
used in hot arid areas, particularly throughout the
Middle East and North Africa, but even in India, where
it is called the jãli.
Its cooling and humidifying functions are closely related.
All organic fibers, such as the wood of a mashrabiya
readily absorb, retain, and release considerable quantities
of water. Plants can provide some regulation of their
skin temperatures by the successive processes of transpiration
and evaporation (called evapo-transpiration). Thus,
the sap flows through the fibers to the plant surfaces,
where it evaporates and cools the skin. Wood fibers
retain this ability even after they are cut from the
tree and used in buildings, as long as the pores are
not covered by an impervious paint.
Wind passing through the interstices of the porous-wooden
mashrabiya will give up some of its humidity to the
wooden balusters if they are cool, as at night. When
the mashrabiya is directly heated by sunlight, this
humidity is released to any air that may be flowing
through the interstices. This technique can be used
to increase the humidity of dry air in the heat of the
day, cooling and humidifying the air at a time when
most needed. The balusters and interstices of the mashrabiya
have optimal absolute and relative sizes that are based
on the area of the surfaces exposed to the air and the
rate at which the air passes through. Thus if the surface
area is increased by increasing baluster size, the cooling
and humidification are increased. Furthermore, a larger
baluster has not only more surface area to absorb water
vapor and serve as a surface for evaporation but also
more volume, which means that it has more capacity and
will therefore release the water for evaporation over
a longer period of time.
In addition to these physical effects, the mashrabiya
serves an important social function: it ensures privacy
from the outside for the inhabitants while at the same
time allowing them to view the outside through the screen.
Therefore, a mashrabiya covering an opening that overlooks
the street has small interstices except at the top far
above eye level. A striking example of the feeling of
security and external view a mashrabiya can provide
is shown in figures 29 and
30. With the focus on the
lattice, the mashrabiya appears as a lighted wall. When
focusing beyond the lattice, the external view is quite
clear and only slightly obstructed.
Figure 31 shows how mashrabiya
can be used in the design of a modern villa. This design
for Saudi Arabia includes mashrabiya high in the top
of the dur-qã'a and others at a lower level in adjacent
rooms, as well as a malqaf on the right.
The roof
If the outdoor air temperature is higher than the indoor
temperature, the outer surface of the roof exposed to
the sun is heated as it absorbs radiation, and, being
in contact with the outside hot air, also is heated
by conduction. The roof then transmits this heat to
the inner surface, where it raises the temperature of
the air in contact with it by conduction. At the same
time, it radiates heat that is absorbed by people and
objects indoors, thereby affecting thermal comfort.
Therefore, the reflectivity of the outer surface of
the roof and the thermal resistivity of its materials
are of primary importance. Shade can be achieved by
using a double roof with a layer of air between or by
covering the roof surface with hollow bricks. Insulating
materials such as fiberglass, styrofoam, and lightweight
blocks are often used. This solution, however, requires
special commercial materials and increases the cost
of the building beyond the means of most inhabitants
in hot arid zones.
The idea of using a roof with a lightweight cover as
a living space has been further developed in the modern
example of the roof garden with a trellis. Soil is a
good heat insulator, and plants can provide shade. Plants
also transpire and cool the air in contact with the
roof. Again, this idea requires special structures to
ensure a strong and waterproof roof, and is also too
costly for most inhabitants of these regions. Psychologically
and aesthetically, people appear to prefer to live on
the level of tree trunks, branches, leaves, and flowers,
rather than to feel as if they were living under the
roots.
A useful idea is to shade the roof more naturally by
designing it to suit popular traditions. In hot arid
countries, since the air temperature drops considerably
during the night, the inhabitants have arranged the
roof architecturally into loggias or open galleries
and lightweight roof covers. These loggias and roof
covers have the double function of shading the roof
during the day and providing physiologically comfortable
living and sleeping spaces at night. Examples from Iraq
and Rosetta, Egypt, are shown in figures
32 and 33, respectively.
The shape of the roof is also of considerable importance
in a sunny climate. A flat roof receives solar radiation
continuously throughout the day, at a rate that increases
in the early morning and decreases in the late afternoon
due to changes in both solar intensity and angle of
the sun.
Pitching or arching the roof has several advantages
over a flat structure. First, the height of part of
the interior is increased, thereby providing a space
far above the heads of the inhabitants for warm air
that rises or is transmitted through the roof. Second,
the total surface area of the roof is increased with
the result that the intensity of solar radiation is
spread over a larger area and the average heat increase
of the roof and heat transmission to the interior are
reduced. Third, for most of the day, part of the roof
is shaded from the sun, at which time it can act as
a radiator, absorbing heat from the sunlit part of the
roof and the internal air, and transmitting it to the
cooler outside air in the roof's shade.
This latter effect is particularly effective for roofs
vaulted in the form of a half-cylinder and those domed
in the form of a hemisphere since at least part of the
roof is always shaded except at noon when the sun is
directly overhead. Domed and vaulted roofs also increase
the speed of any air flowing over their curved surfaces
due to the Bernoulli effect, discussed in the next chapter,
rendering cooling winds more effective at reducing the
temperature of such roofs.
Ver libro de HassanFathy 1: Presentación
Ver libro de HassanFathy 2: Prefacio
Ver libro de HassanFathy 3: El
hombre, el medio ambiental y la arquitectura
Ver libro de HassanFathy 4:
Termodinámica arquitectónica y confort
humano en climas cálidos
Ver libro de HassanFathy 5: Medición
de las condiciones del confort humano
Ver libro de HassanFathy 6: Energia
natural y arquitectura vernacular
Ver libro de HassanFathy 7: El
factor Sol
Ver libro de HassanFathy 8 :El
factor viento en el movimiento del aire
Ver libro de HassanFathy 9:
El factor Sol en el movimiento del aire
Ver libro de HassanFathy 10:
El factor humedad
Ver libro de HassanFathy 11:
Postcript
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